TEMPO

2022-02-23T11:13:52+01:00Februar 23rd, 2022|

New Zealand label dating back to 1949. The label was a joint venture between Towers Of London (Aust.) Pty. Ltd. and Recording Corporation Of New Zealand. It seems to have been folded into the Tasman label in NZ around 1950.

Source: Discogs

PLANET

2020-02-07T15:45:28+01:00Dezember 2nd, 2019|

Important Australian independent label formed by Bob Crawford (aka Robert “King” Crawford) and Marcus Herman – sound engineer and technician. It existed from 1951 to 1961.

The label began when Bob Crawford borrowed 90 Australian pounds from his Aunt Ethel (a needlework designer in the Block Arcade, Melbourne) while still in his teens and was registered on 14th March 1951.

Initially the label was established to release some 78rpm records while Bob Crawford was lead singer/crooner with Alan Rhodes & The Jump Men.

The label folded in about 1961 caused by debts from a scam artist masquerading as a band manager and an ill-fated “merger” with a company called “Telefil (Aust.) Co. Pty. Ltd.” (headed by Philip Opas Q.C.) – which turned out to be nothing but a debt-laden shell and resulted in the deliberate erasing of all Planet master tapes (by the firm secretary Mrs. Kinnon who bulk erased them to then sell on as blank re-usable tape). Much of the artwork was also lost at this time.

Source: kingcrawford.com.au

 

jazzart

2019-12-16T14:08:07+01:00Oktober 29th, 2019|

Melbourne’s music store owner Bob Clemens established his own record label, Jazzart, in 1948 and, over 4 years, issued a large selection of Australian Dixieland (or traditional jazz) and progressive (or modern) jazz.

Source: Australian Jazz Museum

 

Ampersand

2019-11-27T10:07:08+01:00September 25th, 2019|

Jazz label from William Miller (Melbourne) started in September 1943.

The 10″ series ran to 36, there was a 12″ from 1201-1206 and some 10″ re-issues from US sources R101 to R105. All but 26/27 issued on vinyl rather than shellac.

Production of 78s ended in 1955.

Source: 78rpm.net.nz

 

Tasman

2019-05-15T14:34:05+02:00Mai 15th, 2019|

New Zealand’s Tasman label was the sister label to TANZA (Tasman did foreign releases, mostly Australian, TANZA did NZ acts) and the label was owned by Recording Corporation Of New Zealand.

In the late 1950s this and Columbus Radio Centre were merged into Radio Corporation Of New Zealand Ltd. which was later part of Pye Ltd. (the New Zealand licensee of the UK company), controlled by George Wooller of G.A. Wooller & Co. Ltd..

In 1975 Pye NZ was sold to Polygram Records (NZ) Ltd..

Source: Discogs

 

Swaggie

2022-03-31T10:54:14+02:00Dezember 15th, 2018|

Swaggie Records was a jazz record company and label founded in 1949 by Graeme Bell in Australia.

The early years of the label were defined by recordings by Australian jazz musicians. In the 1960s, it made licensing deals with American companies for vintage jazz reissues on 7-inch LPs. Similar programs followed in the 1970s (12-inch LPs) though the 1990s (CDs).

More on Wikipedia

W&G

2018-12-10T14:37:58+01:00Dezember 10th, 2018|

W&G Records was an Australian recording company that operated from the early 1950s to the 1970s. It was a subsidiary of the Melbourne precision engineering company White & Gillespie.

W&G released many significant recordings by Australian popular artists of the 1960s and also issued recordings of popular American artists, notably releases from the ABC-Paramount (Ampar) label, which W&G distributed from 1955 until 1960, when the Australian distribution was taken over by Festival Records. Recording engineer and producer Bill Armstrong worked at W&G from 1956-1961, prior to opening his own studio in 1965.

W&G also established a special subsidiary label, In Records, which released the classic mid-1960s recordings by the Loved Ones.


Carinia

2019-11-27T14:35:24+01:00November 13th, 2018|

Carinia Co. Pty. Ltd. was a Sydney-based recording company, specializing in re-issues of European music, first of all Polish.

Founded in 1952 by Michael (Mieczyslaw) and Nathalie Kulakowski, Polish refugees. The company was named after an aboriginal word meaning ‘home’. Carinia was issuing both 78 rpm records and EPs/LPs.

As for 1977, it was the largest privately owned record company of Australia. Operated at least until 1988.

Source: Russian Records

More: abc.net.au


 

WOCORD

2018-11-02T20:11:53+01:00November 2nd, 2018|

In 1925 Wocord released the first disc recordings made in Australia. They not only recorded the discs but also advertised them on a short-lived Melbourne radio station, 3PB, and sold the special record players needed to play them.

It was an 8-inch record, with catalog numbers 1 to 68, released in 1925.

The company didn’t last long, as their ‘indestructible’ records were made with a cardboard base covered in a thin layer of flexible plastic which disintegrated when it got wet and the records would not play on a normal record player. The fascinating story of Wocord is told in discographer and the former NFSA archivist Ross Laird’s book.


Folge 78rpm – Clubs Pinnwand „WOCORD – 78rpm sleeves“ auf Pinterest.

TANZA

2018-11-02T18:17:48+01:00November 2nd, 2018|

[rev_slider tanza_NZ]

TANZA was a pioneering New Zealand record label, from 1949 to 1956.
TANZA stands for To Assist New Zealand Artists, and was the first company to record and produce records in New Zealand.

The majority were 78 rpm records, with some 45 rpm records and LPs produced from 1952.

The label was started by the Radio Corporation of New Zealand Limited (RCNZ), which manufactured Columbus and Courtenay radios and radiograms, sold through their Columbus Radio Centre 30 retail outlets.
Bart Fortune ,the RCNZ Sales & Marketing manager devised the name TANZA.
Blue Smoke TANZA Green Label 1. was recorded by Pixie Williams and the Ruru Karaitiana Quintette.

About 300 78s were pressed (excluding private recordings), plus 31 45s (26 & 5 EP) and 4 LPs (3 10” & 1 12”).
The original concept of recording advertisements and distributing them to radio stations on vinyl discs proved to be a major success and some 4250 single side discs were produced in the 7 years that TANZA studios were operating, an average of 12 per week.

The parent company RCNZ was bought by PYE Industries of Auckland about 1958.